With their freedom on the line, the Looney Tunes seek the help of NBA superstar Michael Jordan to win a basketball game against a team of moronic aliens.

The Teen Titans are visited by the Nerdlucks, the Space Jam villains who tried to capture Michael Jordan and the Looney Tunes. Astonished to discover his fellow Titans have never seen Space Jam, Cyborg organizes an exclusive watch party.

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. 　　The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. 　　Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies. 　　The appalled look on actor Kevin Eldon's face in the opening sketch of the series, as a young couple invite him to endure being buggered by a mutual acquaintance ("I need a break"), sets the tone. Rape, chemotherapy, wanton urination--as a naked "Robert Kilroy-Silk" goes insane in a sketch full of detestation for the oleaginous TV presenter--and recurring sketches involving callously authoritarian NHS doctors, all go to make up these annals of the bizarre and perverse. 　　Ultimately, Jam doesn't quite work, not on TV anyway. The repetition of the same, small cast over and over, broken up too briefly by Morris' own appearances (as a "country gentleman" living outside his house, for instance), coupled with the gruelling treatment of the sketch material makes for a psyche-probing, jaw-dropping experience--but in parts also a nullifying and strangely predictable one. Morris's "failures" are far more interesting than most people's successes. --David Stubbs

Adapted from Blue Jam, a late night radio show, Jam consists of six shows featuring dark humour and unsettling sketches unfolding over an ambient soundtrack. From the mind of Chris Morris.

Jam Films is a 2002 suite of 7 shorts produced by Sega/Amuse.

You die. But your identity keeps on living. Crystal and James fell in love in an online virtual world but have never met. When James dies mysteriously Crystal travels to see him for the first time - dead. But some residue of James is still alive online.

You die. But your identity keeps on living. Crystal and James fell in love in an online virtual world but have never met. When James dies mysteriously Crystal travels to see him for the first time - dead. But some residue of James is still alive online.

Upon discovering that their town is up for sale, crafty Irish villagers scheme to raise the money to prevent the buy-out. They hold a poetry contest with a tempting grand prize -- the deed to their local pub. But what could happen when a duplicitous American rapper emerges as the best poet around?

Sam Jam is a happy and fun-filled talk show hosted by our favorite actress Samantha in her style. This show features celebrity interviews, fun games, spotlights some inspiring real-life stories and talent, and indulges in philanthropy activities.